"Tranquility"

 It should come to no surprise to anyone who has read my previous posts that this is "Natirar" again. I think the Barbizon style frame suits this impressionistic scene. When I brought the painting into the gallery, Cheryl (the gallery owner) and I were trying to come up with a title for it.  A patron walked in and as a joke we asked him to come up with a title for  the painting. He called it "Tranquility". Works for me!

"Early Fall"

Here is another of my miniature paintings. This is a canal scene in Lambert-ville, New Jersey, a quaint town along the Delaware River bordering Pennsylvania. There are restaurants, antique shops, art galleries and gift stores to shop to your heart's content. It was an overcast, late September day where a hint of fall was already in the air. The painting has a "European feel" to it. It is often overcast in many countries in Europe which I remember from living in Germany for awhile. 

"The Retreat"

The Gallery asked me to do some miniature paintings and this is the first 6" x 6" in a series that I will post on my blog. I pass by this area often on my way to some of my favorite painting spots, however this time something caught my eye. I drove passed it but decided to go back and turned right into a private driveway to get a vantage point. As I drove further in to find a place to turn around I saw this beautiful sight. The dark fir trees formed a perfect frame to the sunlit house further emphasizing the quality of the light. It was bathed in so much light it appeared almost as an apparition. 

Winter's Blush

The long shadows crawling across the landscape contrast against the warm glow of the setting sun that belies the actual conditions of that day.   Natirar is my Shangri-La! It is my Monet's Garden, a continuous source of inspiration. 

"Eternity"

My son was about 9 years old when I caught him in what appeared to be a contemplative mood looking at the ceaseless motion of the sea. I had intended to use this painting as  an experiment with glazing therefore I chose a smaller size canvas because I was not familiar with the technique and wasn't sure if I could pull it off.  The underpainting was done in white and sepia tones and I proceeded from there to apply thin layers of transparent glazes. This was very time consuming and I have not done another painting using this technique since. I do want to try it again for a small landscape. I called it Eternity because staring out into the vast ocean is one of those iconic images on planet earth that comes closest to the concept of eternity. At least for me it is.

"Raritan River in Winter"

This is the same river as the other paintings posted on my blog which continues to flow well beyond the confines of Natirar which, if you haven't read my other posts, is one of my favorite places to paint. The interplay of blues, mauves and ochres portrays a certain softness in the distance against the dramatic dark foreground. Life is hectic and there is so much negativity all around us that a painting can become a temporary refuge. 

I feel peaceful when I am painting and hopefully this is conveyed to the viewer. This painting was in the 2007 Salon International and sold shortly thereafter.  I like to think that the couple who bought it liked it for the same reasons I painted it. Nature is beautiful.

"December Ice"

Looking out my window that day I could see the ice forming on the branches and hear the ice pellets clicking on my windows. I was debating whether it would be a good idea to drive out to Natirar on a photo shoot in the ice and sleet  when most people, of course, would consider it a bad idea. Off I went and never regretted it because I got an amazing series of picture references for this painting as well as future paintings. The experience of that day was unforgettable too. After driving the approximate 2 miles into Natirar to park,  I guess I should not have been surprised to find out that I was the only one there. Since the path was covered with snow and ice, it took much longer to walk to the "spot" I wanted to photograph and I also got extremely tired trudging through the snow. It was eerie being alone in the acres and acres of 'devoid of another human being' park. With my sense of awareness heightened by the sights and sounds around me I found it exhilarating  but also slightly menacing. The sounds of  branches cracking under the weight of the ice and being wet, cold and tired and alone was disconcerting.  It was an unforgettable almost spiritual experience and I will never forget it.  I think I can squeeze a few more paintings from that photo shoot and will relive those feelings as I paint.

"Overture to a Winter's Night"

This is an oil painting 10" x 20" on gessoed wood panel. Although most of my paintings of Natirar are of the river this scene is facing west of the riverbank. The glow of the sunset filtered through the trees was captivating and needed to be painted!